Obsolete machinery mysteriously appears in a room. Are they broken monoliths or mere toys bent into belic tools? Are they screens? Ghosts? A playground of obtuse answers to a very simple question: should one face truth with humor?

Inside the collective exhibition, “A Velocidade da Queda” with Hugo Flores and Teresa Arêde, June 2024 

Fu Qiang ©

Monoliths from heaven, 2024